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Old 05-26-2004, 05:59 AM   #126
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Quote:
Originally Posted by ~GabriellShannon~
Dark Shadows heh?

Didn't your mom have like all of those recorded
Yes, she had all of the remade ones... and a few of the old episodes... and now I've out distanced her in my dark shadowiness!! Mwa hah hah!... lol....

Quote:
Originally Posted by ohthefuckwell
ah-ha!! NOW it makes (even more) sense! *hee*
~eyebrow raised~ Indeed my dear... (lol...)

(Eee gads!... Soooooo Gooooooth... lol...)

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Old 05-26-2004, 11:07 AM   #127
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Van Helsing,it was great but they could have delved into a few more things.
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Old 05-30-2004, 02:51 AM   #128
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it could've been the day after tomorrow if i went with friends to see movie but it isn't.. :roll:
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Old 05-30-2004, 04:20 AM   #129
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I saw Angus the other day...very good movie.

and i also saw I am Sam with the outstanding work by sean penn...great movie :P
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Old 05-30-2004, 11:03 AM   #130
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*hangs head*

raising helen.


i let my 9 year old daughter choose the movie.


actually, considering the predictable stroy line, it really wasn't all that bad. found myself genuinely laughing out loud a few times.

three sisters. the oldest & her husband get killed in a wreck. they leave their kids (15, 12 [i think], and 5) to her youngest party girl completely single sister, and the middle sister, who is "mom of the year" doesn't get why.


of course, there is the expected major lifestyle change and the kids each rebel in their own ways.


cheesy, predicatable plot, yes. but, as surprised as i was, it was actually pretty good. a sweet lil movie.


(BUT there were 3 trailers for movies that i now think i really wanna see: the notebook, napolean dynamite and m. night shyamalan's the village.)
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Old 05-30-2004, 11:17 AM   #131
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Quote:
Originally Posted by TStone
Ginger Snaps 2.

Ok, I gotta say I loved this movie. I liked the first one, but I really loved the sequel. How often can you say that? I’m quickly becoming a fan of the Lions Gate studio.

This movie does horror the way horror should be done. The plot is rich, character driven, and the twists are apparent, but at the same time, unexpected. I really appreciated the depth, and the fact the director made the assumption most people are intelligent and provided us with a well executed cinematic experience. I’d watch this one again.
I've not even heard of this one.I'll have to check it out.
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Old 05-30-2004, 05:26 PM   #132
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The Day After Tomorrow


There were a few times where my face did this look: :shock:



And there were a few times more where my face did this: 8)


But I made this face after too much popcorn: :oops:



Something I WANT to see, not exactly a movie, but a series. It used to be on Sci Fi, its called "Forever Knight". Theres a DVD set on Amazon,....worth it?


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Old 05-30-2004, 09:24 PM   #133
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The Last Samurai

I'll sum this up into a review I'd like to call "The Last Three Hours." Aside from being overly drawn out and excruciatingly dull durring the "in-betweens" scattered about the film, "The Last Samurai" had more sap running out of it than a forest full of pine trees.

The author's intent was clearly to see how many times he could make Tom Cruise cry in 3 very long hours with a set of ridiculously dramatic situations. Cruise held pretty strong for most of the film, but god help me, sitting through the entire movie made me sure want to. Overly dramatic, overly acted, and just altogether overly sappy. I can imagine the pitch went something like this:

"Let's take a guy who drinks himself stupid to forget he's responsible for killing innocent women and children and have him be forced to live in captivity with the family of a man he's killed in battle."

"Not enough tear-jerking. What else you got?"

"Well, he befriends the head Samurai and his brother and soon becomes very close to both of them. So naturally we'll have both of them die in overly dramatic sequences."

"Are there going to be any uplifting or happy scenes?"

"Yeah... we'll squeeze about five minutes worth into it."

I really didn't find myself giving a damn about Cruise's character at all. He was just a goofy guy who had so much crap weighing him down that he couldn't crawl out of his funk for more than two seconds at a time. Even when he did try to make some sort of cheap "yuk-yuk" joke, it just fell short of anything even slightly amusing. But that's what happens when you try to give a character more emotional baggage than they can carry.

There were a few brief interesting quirks to the story here and there. Certainly seeing ninjas battling the samurai made for a workable and entertaining scene. But for the most part, the script was just trying too hard to force an emotion out of you through 90% of the film. If you can't connect to any of the characters, then you're probably going to be bored to tears after a while.

With the whole movie constantly trying to end with everything a down-note, it can become annoying to those who perfer a "well balanced" movie that consists of something more than a 3 hour pity party.
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Old 05-30-2004, 09:45 PM   #134
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Quote:
Originally Posted by Soul_Immortal
The Day After Tomorrow


There were a few times where my face did this look: :shock:



And there were a few times more where my face did this: 8)


But I made this face after too much popcorn: :oops:



Something I WANT to see, not exactly a movie, but a series. It used to be on Sci Fi, its called "Forever Knight". Theres a DVD set on Amazon,....worth it?


~*Soul*~a
Me too. I can get you a few scripts if You like.
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Old 05-30-2004, 09:58 PM   #135
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Quote:
Originally Posted by TStone
Damn, I really liked this one. Maybe I realated a little too much to Cruise's character? Meh, time to put the bottle down.
Ahh I'm just a little overly critical with every movie I watch. I peel apart even the movies I do like and own. Can't help it. Bad habit. :D
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Old 05-31-2004, 04:40 AM   #136
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A few I've watched (or rewatched, in some cases)-

Tupac And Biggie-I have to admit, I hate Nick Broomsfield. He's the one member of the "New Documentary" movement that I can't stand. Now, I like the idea of documentary film-makers who have no qualms about showing that they're partial in the subjects they choose (and whoever came up with the retarded idea of documentarys having to be impartial has no idea about the proccess of film-making at all, and should be shot for propagating that stupid thoughtline. period.), but Nick just grates on me. He's a leech that only makes documentaries just to make himself seem "tough" or whatever. The thing with this one is that he had a subject that's fascinating and complex all on it's own. And while I'll admit, watching him meet with Suge Night in jail made me jump for a moment, I still wish Suge would've beaten the living shit out of him. I mean hell, he's in prison already. It's not like it could get any worse. Tupac and Biggie disappear into Nicks inflated ego, and by the end of the film, we STILL don't get what the fuck he was trying to say in the first place.

Cut-Throats Nine-I was curious to see this one after I read Thomas Weisser's assesment of it being the most "sadistically violent of all the spaghetti westerns". Believe me, this baby delivers. Pure exploitation genious. Nowhere near as masterful as "Once Upon A Time In The West" (my pick for the greatest western ever made by anybody) or "Django", but it stands pretty well on its own.

Torque-6 tall budweisers and a shot of jager should make this one worth your attention. It took me 4 buds and no jager, but I have a feeling that I'm a bit more steeled-up against crap like this than most others are. (The joys of film criticism)

the "Infernal Affairs" trilogy-I could go on and on to try to explain how awe-inspiring these films are, but I can simplify it with one sentance-Martin Scorcese wants to remake it.

"The Loch Ness Incident"-a documentary about Werner Herzog's attempt at making a documentary about the Loch Ness monster. No, really, I'm serious. Now, Herzog's film isn't finished yet, but this is another portrait of the mad genious at work. If you're not familiar with Herzog's work, check out "Aguirre-The Wrath Of God" or "Lessons In Darkness" (a truly chilling and meditative documentary about Kuwait after Desert Storm 1). Then check this out to see what kind of person was able to bring such stark images to the screen.

Me and my friends are also working on a fun little project. We decided to take the scenes that Tarantino "borrowed" for "Kill Bill" from the original films, and splice them in the same order as "KB". And no, we won't release it for sale or download. But it's still fun just the same.
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Old 05-31-2004, 08:16 AM   #137
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bowling for columbine - not really a movie but oh well
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Old 06-02-2004, 02:48 AM   #138
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da power puff girls movie uh it rocked!!
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Old 06-02-2004, 03:47 AM   #139
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Quote:
Originally Posted by akhira
Quote:
Originally Posted by Soul_Immortal
The Day After Tomorrow


There were a few times where my face did this look: :shock:



And there were a few times more where my face did this: 8)


But I made this face after too much popcorn: :oops:



Something I WANT to see, not exactly a movie, but a series. It used to be on Sci Fi, its called "Forever Knight". Theres a DVD set on Amazon,....worth it?


~*Soul*~a
Me too. I can get you a few scripts if You like.



Thanks, that would be nice


~*Soul*~
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Old 06-02-2004, 08:39 AM   #140
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City of Ghosts

As you'll notice with roughly 85-90% of movies these days, the first 15-20 minutes of the film are dedicated to establishing the story. It's the period where we are introduced to the characters, setting, and sometimes the rough beginings of a plot. City of Ghosts, however, spends almost a record-setting 45 minutes meandering through establishment until we finally get a hint of a plot.

As the movie begins, we're introduced to a character named Jimmy Cremming (Matt Dillon), who's involved in a fraudulent scheme where his company sells disaster insurance to customers with no intentions of paying the claims. After a ravaging hurricane sweeps through and clobbers many of the customers' households, the company owner, a 'non-existant' person, suddenly pulls all of the companys money out from their off-shore accounts and leaves the customers to fend for themselves. After interrogation from the FBI, Jimmy quickly sets out to leave the country and find his associate, who happens to be the brains behind the operation, Marvin (James Caan), and inform him that the jig is up.

Well it turns out that Marvin is located somewhere in Cambodia in order to pursue a casino investment. After bouncing from here to there and meeting with severial other associates and contacts, Jimmy finally links up with Marvin to break the news that the FBI was onto them. Marvin, enveloped in his canino idea, simply gives Jimmy a pat on the back (an a large briefcase full of money) and tries to get him involved on his new scheme. Jimmy declines, and all seems well until the Russian mob (who Marvin had partnered with and decieved in the fraudulent insurance plan) track him down to Cambodia to kill him.

City of Ghosts runs almost 3 hours in length and certainly has enough of a laddering storyline to keep most viewers interested. Caan was born for his role as Marvin and really makes the film so much more enjoyable to watch. But even with upbeat and interesting characters like Marvin, the whole movie just never really rose above it's murky mood and seems really desolate at times. Perhaps this was one of the main reasons I got into this film so much, despite it's flaws (thin plot, lengthy durration, multiple conclusions, being advertised as the "Sundance Film Festival Winner," etc.).

I'd certainly recommend it.
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Old 06-09-2004, 05:23 PM   #141
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The last movie I watched was "Gosford Park" again, but as I mentioned it earlier in this thread I'll mention the second to last movie I watched: "People I know".

It was one of those days at the video shop when almost everything I wanted to watch was out, or I had seen it many times before. Then I saw "People I know" with Al Pacino on the shelf, read that it was a thriller, and decided I might as well give it a go.

I mean, theres fuck all on tv any more.

Well, it isn't really a thriler at all, in spite of what the blurb says. Its more a story of a tired middle-aged man who wants to do the right thing but is so strung out on drugs that he just cant get his shit together. Al Pacino portrays a character of such incredible vulnerability that its impossible not to love him, even if he is drugged out of his tree for much of the movie. In my opinion its the best performance I've ever seen him give: right up there with Harvey Keitel in "The Bad Lieutenant".

One other thing about this video that I truly love is that it goes straight into the movie without any trailers or adverts beforehand.
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Old 06-09-2004, 06:08 PM   #142
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Harry Potter and the Prisoner of Azkaban. It was a good movie, even though they changed the scene order and turned Remus Lupin from a werewolf into a giant werechihuahua. Otherwise, they really did a good job getting the mood and feel of the book onto screen. And you can really see how the kids playing the main characters (The Trio, Neville, and Draco) are growing up. It was fun.
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Old 06-09-2004, 08:02 PM   #143
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Harry Potter and the Prizoner of Azkaban for me, too. I thought it was pretty damn good, better than the first two anyways. I haven't read the book in a pretty long time, so I don't remember all of the details. I saw it with my cousin who has never read any of the books or seen any of the movies, so I had to explain some things to her. I was just a very little bit dissapointed by the dementors although they weren't awful. The new Dumbledore isn't as good either, but there's not much that can be done about that, and it could be much worse.
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Old 06-10-2004, 10:53 AM   #144
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Troy

I liked it so much.
Except some things that are different in the original story (Aquiles has to be taller, Elena isn't blonde, the beginning is completely different...) it is pretty good. I specially liked the work of many actors, and the landscape was great.
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Old 06-20-2004, 07:57 PM   #145
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Ginger Snaps 2: this afternoon. It's fun. It's not a classic but, like Snickers, it satisfies.
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Old 06-21-2004, 06:08 PM   #146
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A few I just saw-

"The Corporation"-For those not familiar, corporations are considered, by law, people. What this documentary posits is-how would this person be diagnosed psychologically? Warning-It's definately left-leaning (and while I don't see this as neccesarily a bad thing, it also brings the knee-jerk liberal chorus who seem to be looking for a new slogan to chant without thinking about what they're saying right out of the woodwork). Fascinating idea, and extremly informative. Just wish the makers would've hired an editor so some of the points wouldn't have been repeated over and over and over.

"Welcome Back, Mr. McDonald"-I haven't laughed as hard as when I saw "Flirting With Disaster" for the first time. A japanese house-wife writes a radio script to tansmit her falling-in-love to a man who has no clue. Radio station decides to broadcast the play, then, during the broadcast, one of the actors comes up with the bright idea of improvising....it'd take me about 3 pages to even try to describe everything that happens afterwards. Just see it if you have a chance.

A whole bunch of Marx Brothers-My sister just got me the box set which has "A Night At The Opera", "A Day At The Races", "A Night In Casablanca", "Room Service", "At The Circus", "Go West", and "The Big Store". How much do I love the Marx Brothers? I've dumped girls for saying "I don't get it".

"Werner Herzog Eats His Shoe"-a film about (if you couldn't tell) Werner Herzog eating his shoe. Back when he was filming "Strozceck", Herzog was hanging out with a Berkley grad student who kept saying "I'm gonna make this film and that film...". This grad student was known for being extremely talented at a number of things (he was a world-class cello player, and was also writing a novel) and dropping his pursuits at the last minute, so after listening to this guy finding every excuse to not pursue film-making, Herzog said "If you ever make one of those films you keep talking about, I will eat my shoe". So the guy went out and did it. Herzog kept his word. To think that Errol Morris (yes, that Errol Morris) wouldn't have won an academy award if Werner Herzog didn't suffer from a "lack of irony".

"Lessons In Darkness"-Herzog's document (this film transcends the nomer "documentary") of the after-effects of Desert Storm 1. With very little nararation and sumptuous images, Herzog's visionary film gives the viewer a beautiful and haunting view of the true costs of war. The fact that he refuses to side with anybody, and allows the images and the victims speak for themselves makes this as provocative as anything you're bound to see.
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Old 06-21-2004, 06:31 PM   #147
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A pokemon movie.
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Old 06-22-2004, 09:18 PM   #148
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Club Dread

There's one thing that really confused me about the way this movie was written. Much like Tom already stated, it's not a tongue in cheek film... at least not until the end. By the time we discover who the killer is, the entire movie totally drops the serious tone it had taken for much of the story and enters into pure satire.

Much like the movie Super Troopers, most of the humor (though not all) came in the form of 'joking around' rather than the ususal slapstick or straight-forward comedy alot of movie-goers are used to. But to compare those two movies in any other way, as many advertisements suggest, is somewhat unjust, as Club Dread lacked the sense of humor and witticisms that made Super Troopers so funny. Having said that, Club Dread still has it's moments, but for the most part I thought it was the heavy-handed over acting that benumbed alot of the humor they were trying to get through to the audience.

If I would have read the script, I'm sure I would have laughed much more at some of the lines in this film. Especially the pungent "Son of a son of bitch" remark from Paxton (obviously aimed at Buffet). Unfortunately, as reluctant as I was to see Bill Paxton present in this movie, I don't think he was really cut out for comedy. At least not this kind of comedy.

While there were several subtle jokes aimed at slasher flicks and, of course, ol' James William Buffett, I probably would have enjoyed this movie so much more if they had just stuck with one theme or the other (subtle satire vs all out). The humor struck me more as 'yuk yuk' jokes and the laughter wasn't abudant in watching this. However, the few times I did laugh out loud, the lines were quite memorable and there was enough interesting content to keep my interest alive in watching the entire movie. To say the least, it's certainly different.
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Old 06-23-2004, 01:31 PM   #149
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The Cat in the Hat
(in Fench, Chat, Chapeau.. in spanish gato en sombrero!...hee i loved the cartoon version..)
it was funny..not amazingly funny but it brought a few chuckles over my family...
i was also really surprised by the fact that it seemed to have more adult humour than kiddie humour..
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Old 06-25-2004, 06:28 PM   #150
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Dodgeball

Let me just say right off the bat; I didn't pay to see this movie. I would never, in my life, ever.... pay to see a Ben Stiller movie.

...ever.

Alrighty, now that that's out of the way, let me elaborate on that by saying "Thank god I didn't!" The simple fact that this is the second comedy starring Ben Stiller and Vince Vaughn to come out the last sixteen weeks should speak volumes of the effort put into this 97 minute piece of cinematic fecal matter.

As of this film, I've lost all hope in any comedy starring Vaughn ever again (especially with that idiot, Stiller). After Made, he just totally signed off and entered pay-check mode. In Starsky & Hutch he was an android the whole time he was on screen. Dodgeball was the same deal, except in this film, Vaughn's character was written more for someone like Tim Allen, who actually makes us laugh through facial expressions and sarcasm. Vince tries (sorta). Vince fails. The guy's latest two flicks are about as interesting as being face to face with a Furby for 97 minutes straight. I got more entertainment out of plucking popcorn kernels from my gums.

So both main actors aren't funny (Stiller always hams his ass off, which nullifies any humor in his character or lines), maybe there's something original or interesting about the plot? Nope. Recycled plot with a few different angles. Big business across the street is putting the little business out of business unless they come up with oh so much money in a week, month, or whatever. It's a textbook comedy (you can easily second-guess everything) with the same colorful cast of overstated losers who are either nerdy as hell, nervous as hell, or just plain old neurotic as hell.

There are a few cameos that you think will liven up the movie, such as Chuck Norris and William Shatner, but no dice. You laugh when you see their face (in such horseshit) rather than laughing at their lines. Amazing that Norris even agreed to appear in it, since the movie opens with an obvious stab at his late night Bi-flex (Bo-flex... whatever the hell it is) infomercials.

Bottom line on this movie: Few laughs, 90% of the comedy feels forced, Vaughn could give a shit less, it stars Ben Stiller... not sure what else I can say. It's a really bad movie. If you're going to watch it, at least wait until video, that way you're not being robbed quite as much.
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