Wynken, Blynken and Nod...[very old]...

Wynken, Blynken, and Nod one night
Sailed off in a wooden shoe---
Sailed on a river of crystal light,
Into a sea of dew.
"Where are you going, and what do you wish?"
The old moon asked the three.
"We have come to fish for the herring fish
That live in this beautiful sea;
Nets of silver and gold have we!"
Said Wynken,
Blynken,
And Nod.

The old moon laughed and sang a song,
As they rocked in the wooden shoe,
And the wind that sped them all night long
Ruffled the waves of dew.
The little stars were the herring fish
That lived in that beautiful sea---
"Now cast your nets wherever you wish---
Never afeard are we";
So cried the stars to the fishermen three:
Wynken,
Blynken,
And Nod.

All night long their nets they threw
To the stars in the twinkling foam---
Then down from the skies came the wooden shoe,
Bringing the fishermen home;
'T was all so pretty a sail it seemed
As if it could not be,
And some folks thought 't was a dream they 'd dreamed
Of sailing that beautiful sea---
But I shall name you the fishermen three:
Wynken,
Blynken,
And Nod.

Wynken and Blynken are two little eyes,
And Nod is a little head,
And the wooden shoe that sailed the skies
Is a wee one's trundle-bed.
So shut your eyes while mother sings
Of wonderful sights that be,
And you shall see the beautiful things
As you rock in the misty sea,
Where the old shoe rocked the fishermen three:
Wynken,
Blynken,
And Nod.

Again and Again and Again by Anne Sexton
 

My favourite poem (I think) is Poe's "Raven", which I will certainly not post here (as it has ...18 stanzas) ^^
A friend and I have just turned it into a 15 minutes film on which we are still working and on which I would very much love to hear your opinions when it is finished and on YouTube :)

Wow. There's some really good poems in this thread. I guess that shouldn't surprise me. There was a time when I could recite Jabberwocky and The Raven from memory but I haven't done it in about 3 years. One of my favorites is much shorter and easier to memorize.

La Belle Dame sans Merci--John Keats

O what can ail thee, knight at arms,
Alone and palely loitering?
The sedge has wither'd from the lake,
And no birds sing.

O What can ail thee, knight at arms,
So haggard and so woe-begone?
The squirrel's granary is full,
And the harvest's done.

I see a lily on thy brow
With anguish moist and fever dew,
And on thy cheeks a fading rose
Fast withereth too.

I met a lady in the meads,
Full beautiful, a fairy's child;
Her hair was long, her foot was light,
And her eyes were wild.


I made a garland for her head,
And bracelets too, and fragrant zone;
She look'd at me as she did love,
And made sweet moan.

I set her on my pacing steed,
And nothing else saw all day long,
For sidelong would she bend, and sing
A fairy's song.

She found me roots of relish sweet,
And honey wild, and manna dew,
And sure in language strange she said—
I love thee true.

She took me to her elfin grot,
And there she wept, and sigh'd full sore,
And there I shut her wild wild eyes
With kisses four.

And there she lulled me asleep,
And there I dream'd—Ah! woe betide!
The latest dream I ever dream'd
On the cold hill's side.

I saw pale kings, and princes too,
Pale warriors, death pale were they all;
They cried—"La belle dame sans merci
Hath thee in thrall!"

I saw their starv'd lips in the gloam
With horrid warning gaped wide,
And I awoke and found me here
On the cold hill's side.

And this is why I sojourn here,
Alone and palely loitering,
Though the sedge is wither'd from the lake,
And no birds sing.

I like this one pretty much just for the first line, it can get stuck in my head for days.

Because I could not stop for Death,
He kindly stopped for me;
The carriage held but just ourselves
And Immortality.

We slowly drove, he knew no haste,
And I had put away
My labour, and my leisure too,
For his civility.

We passed the school where children played,
Their lessons scarcely done;
We passed the fields of gazing grain,
We passed the setting sun.

We paused before a house that seemed
A swelling of the ground;
The roof was scarcely visible,
The cornice but a mound.

Since then 'tis centuries; but each
Feels shorter than the day
I first surmised the horses' heads
Were toward eternity.

-Emily Dickinson

These are lyrics, but I'll post them anyway. It's "Billy the Monster" by The Deviants.

Billy. The monster. Billy the monster.
Watch out, Billy, as you walk around.
Billy. The monster. Billy the monster.
There's ugly people living underground.
Billy. The monster. Billy the monster.
They'll defile your body and your brain.
Billy. The monster. Billy the monster.
And you will never be the same again.
Billy. The monster. Billy the monster.
Billy did not heed their good advice.
Billy. The monster. Billy the monster.
He went too far and wasn't very nice.
Billy. The monster. Billy the monster.
Billy, who was once like me and you...
Billy. The monster. Billy the monster.
He has now become a monster, too.

http://uk.youtube.com/watch?v=a1zLHA...eature=related

Excellent poem. Impeccable scansion. What was the name of it again?

I know it may be redundant, but my fave is "The Raven"

The City in the Sea - E.A.Poe


Lo! Death has reared himself a throne
In a strange city lying alone
Far down within the dim West,
Where the good and the bad and the worst and the best
Have gone to their eternal rest.
There shrines and palaces and towers
(Time-eaten towers and tremble not!)
Resemble nothing that is ours.
Around, by lifting winds forgot,
Resignedly beneath the sky
The melancholy waters lie.

No rays from the holy Heaven come down
On the long night-time of that town;
But light from out the lurid sea
Streams up the turrets silently—
Gleams up the pinnacles far and free—
Up domes—up spires—up kingly halls—
Up fanes—up Babylon-like walls—
Up shadowy long-forgotten bowers
Of sculptured ivy and stone flowers—
Up many and many a marvellous shrine
Whose wreathed friezes intertwine
The viol, the violet, and the vine.

Resignedly beneath the sky
The melancholy waters lie.
So blend the turrets and shadows there
That all seem pendulous in air,
While from a proud tower in the town
Death looks gigantically down.

There open fanes and gaping graves
Yawn level with the luminous waves;
But not the riches there that lie
In each idol's diamond eye—
Not the gaily-jewelled dead
Tempt the waters from their bed;
For no ripples curl, alas!
Along that wilderness of glass—
No swellings tell that winds may be
Upon some far-off happier sea—
No heavings hint that winds have been
On seas less hideously serene.

But lo, a stir is in the air!
The wave—there is a movement there!
As if the towers had thrust aside,
In slightly sinking, the dull tide—
As if their tops had feebly given
A void within the filmy Heaven.
The waves have now a redder glow—
The hours are breathing faint and low—
And when, amid no earthly moans,
Down, down that town shall settle hence,
Hell, rising from a thousand thrones,
Shall do it reverence.

Le Revenant (The Ghost) - Charles Baudelaire
 

"Ozymandias" by Percy Shelley


I met a traveller from an antique land
Who said: "Two vast and trunkless legs of stone
Stand in the desert. Near them on the sand,
Half sunk, a shattered visage lies, whose frown
And wrinkled lip and sneer of cold command
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them and the heart that fed.
And on the pedestal these words appear:
`My name is Ozymandias, King of Kings:
Look on my works, ye mighty, and despair!'
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare,
The lone and level sands stretch far away

The Waste Land by T.S. Eliot. I won't post it because it's massive, but here's the link: http://www.poets.org/viewmedia.php/prmMID/18993

The Deaf and the Blind by Paul Eluard:

Do we reach the sea with clocks
In our pockets, with the noise of the sea
In the sea, or are we the carriers
Of a purer and more silent water?

The water rubbing against our hands sharpens knives.
The warriors have found their weapons in the waves
And the sound of their blows is like
The rocks that smash the boats at night.

It is the storm and the thunder. Why not the silence
Of the flood, for we have dreamt within us
Space for the greatest silence and we breathe
Like the wind over terrible seas, like the wind

That creeps slowly over every horizon.

Charles Baudelaire
The Vampire

You that, like a dagger's thrust,
Have entered my complaining heart,
You that, stronger than a host
Of demons, came, wild yet prepared;

Within my mind's humility
You made your bed and your domain;
- Infamous one who's bound to me
Like any felon by his chain,

Like a gambler by his games,
Like the bottle and the sot,
Like the worms in one's remains,
- Damm you! Damnation be your lot!

I've begged the merciful, swift sword
To overcome my liberty -
To poison I have said the word:
Save me from poltroonery.

Alas the sword! Alas the poison!
Contemptuous, they spoke to m:
"You never can deserve remission
Of your accursed slavery,

"Imbecile! - If our deadly empire
Freed you from your present fate,
Your kiss would soon resuscitate
The cold cadaver of your vampire!"

Goethe- Erlkonig

German :

Wer reitet so spät durch Nacht und Wind?
Es ist der Vater mit seinem Kind;
Er hat den Knaben wohl in dem Arm,
Er faßt ihn sicher, er hält ihn warm.

"Mein Sohn, was birgst du so bang dein Gesicht?"
"Siehst, Vater, du den Erlkönig nicht?
Den Erlenkönig mit Kron und Schweif?"
"Mein Sohn, es ist ein Nebelstreif."

"Du liebes Kind, komm, geh mit mir!
Gar schöne Spiele spiel' ich mit dir;
Manch' bunte Blumen sind an dem Strand,
Meine Mutter hat manch gülden Gewand."

"Mein Vater, mein Vater, und hörest du nicht,
Was Erlenkönig mir leise verspricht?"
"Sei ruhig, bleib ruhig, mein Kind;
In dürren Blättern säuselt der Wind."

"Willst, feiner Knabe, du mit mir gehen?
Meine Töchter sollen dich warten schön;
Meine Töchter führen den nächtlichen Reihn,
Und wiegen und tanzen und singen dich ein."

"Mein Vater, mein Vater, und siehst du nicht dort
Erlkönigs Töchter am düstern Ort?"
"Mein Sohn, mein Sohn, ich seh es genau:
Es scheinen die alten Weiden so grau."

"Ich liebe dich, mich reizt deine schöne Gestalt;
Und bist du nicht willig, so brauch ich Gewalt."
"Mein Vater, mein Vater, jetzt faßt er mich an!
Erlkönig hat mir ein Leids getan!"

Dem Vater grauset's, er reitet geschwind,
Er hält in Armen das ächzende Kind,
Erreicht den Hof mit Müh' und Not;
In seinen Armen das Kind war tot.


English :


Who rides there so late through the night dark and drear?
The father it is, with his infant so dear;
He holdeth the boy tightly clasp'd in his arm,
He holdeth him safely, he keepeth him warm.

"My son, wherefore seek'st thou thy face thus to hide?"
"Look, father, the Erl-King is close by our side!
Dost see not the Erl-King, with crown and with train?"
"My son, 'tis the mist rising over the plain."

"Oh, come, thou dear infant! oh come thou with me!
Full many a game I will play there with thee;
On my strand, lovely flowers their blossoms unfold,
My mother shall grace thee with garments of gold."

"My father, my father, and dost thou not hear
The words that the Erl-King now breathes in mine ear?"
"Be calm, dearest child, 'tis thy fancy deceives;
'Tis the sad wind that sighs through the withering leaves."

"Wilt go, then, dear infant, wilt go with me there?
My daughters shall tend thee with sisterly care
My daughters by night their glad festival keep,
They'll dance thee, and rock thee, and sing thee to sleep."

"My father, my father, and dost thou not see,
How the Erl-King his daughters has brought here for me?"
"My darling, my darling, I see it aright,
'Tis the aged grey willows deceiving thy sight."

"I love thee, I'm charm'd by thy beauty, dear boy!
And if thou'rt unwilling, then force I'll employ."
"My father, my father, he seizes me fast,
Full sorely the Erl-King has hurt me at last."

The father now gallops, with terror half wild,
He grasps in his arms the poor shuddering child;
He reaches his courtyard with toil and with dread,--
The child in his arms finds he motionless, dead.

Edgar Allen Poe's "Alone"

From childhood's hour I have not been
As others were - I have not seen
As others saw - I could not bring
My passions from a common spring -
From the same source I have not taken
My sorrow - I could not awaken
My heart to joy at the same tone -
And all I lov'd - I lov'd alone -
Then - in my childhood - in the dawn
Of a most stormy life - was drawn
From ev'ry depth of good and ill
The mystery which binds me still -
From the torrent, or the fountain -
From the red cliff of the mountain -
From the sun that round me roll'd
In its autumn tint of gold -
From the lighting of the sky
As it pass'd me flying by -
From the thunder, and the storm -
And the cloud that took the form
(When the rest of Heaven was blue)
Of a demon in my view -

The Judge approves of this thread; however, she is saddened that those who enjoy "The Raven" seem to do so apologetically. It's a wonderful poem, and quite possibly the best piece of gothic literature the Judge has ever encountered.

Tale Of A Tub by Sylvia Plath

The photographic chamber of the eye
records bare painted walls, while an electric light
flays the chromium nerves of plumbing raw;
such poverty assaults the ego; caught
naked in the merely actual room,
the stranger in the lavatory mirror
puts on a public grin, repeats our name
but scrupulously reflects the usual terror.

Just how guilty are we when the ceiling
reveals no cracks that can be decoded? when washbowl
maintains it has no more holy calling
than physical ablution, and the towel
dryly disclaims that fierce troll faces lurk
in its explicit folds? or when the window,
blind with steam, will not admit the dark
which shrouds our prospects in ambiguous shadow?

Twenty years ago, the familiar tub
bred an ample batch of omens; but now
water faucets spawn no danger; each crab
and octopus -- scrabbling just beyond the view,
waiting for some accidental break
in ritual, to strike -- is definitely gone;
the authentic sea denies them and will pluck
fantastic flesh down to the honest bone.

We take the plunge; under water our limbs
waver, faintly green, shuddering away
from the genuine color of skin; can our dreams
ever blur the intransigent lines which draw
the shape that shuts us in? absolute fact
intrudes even when the revolted eye
is closed; the tub exists behind our back;
its glittering surfaces are blank and true.

Yet always the ridiculous nude flanks urge
the fabrication of some cloth to cover
such starkness; accuracy must not stalk at large:
each day demands we create our whole world over,
disguising the constant horror in a coat
of many-colored fictions; we mask our past
in the green of Eden, pretend future's shining fruit
can sprout from the navel of this present waste.

In this particular tub, two knees jut up
like icebergs, while minute brown hairs rise
on arms and legs in a fringe of kelp; green soap
navigates the tidal slosh of seas
breaking on legendary beaches; in faith
we shall board our imagined ship and wildly sail
among sacred islands of the mad till death
shatters the fabulous stars and makes us real.

I love the last line.

RIZZA


As I look upon you
You have a deep sense of beauty
Like red roses and white lilies
Blooming in the abandoned cemetery

However, anything changed
You give me humiliation
You change my idea
And gives another interpretation

You remained poison to my eyes,
A devil in my shadow
A nightmare in my dream
A sadness and a sorrow

Then you will likely to apologize
Since you used to insult me
But still my anger burst its pressure
I'd rather see you in infamy

I feel the pain what's inside
I can't bear it totally
I may likely not to forgive you
Since you give me an idea to condemn

I guess...
You cannot revive eternal friendships
Until the person you insulted is dead.

The Remorse of the Dead
By: Charles Baudelaire



O SHADOWY Beauty mine, when thou shalt sleep
In the deep heart of a black marble tomb;
When thou for mansion and for bower shalt keep
Only one rainy cave of hollow gloom;

And when the stone upon thy trembling breast,
And on thy straight sweet body's supple grace,
Crushes thy will and keeps thy heart at rest,
And holds those feet from their adventurous race;

Then the deep grave, who shares my reverie,
(For the deep grave is aye the poet's friend)
During long nights when sleep is far from thee,

Shall whisper: "Ah, thou didst not comprehend
The dead wept thus, thou woman frail and weak"--
And like remorse the worm shall gnaw thy cheek.


I like Billy Merrell's work. (Talking in the dark)

edge by plath

Edge

The woman is perfected.
Her dead

Body wears the smile of accomplishment,
The illusion of a Greek necessity

Flows in the scrolls of her toga,
Her bare

Feet seem to be saying:
We have come so far, it is over.

Each dead child coiled, a white serpent,
One at each little

Pitcher of milk, now empty.
She has folded

Them back into her body as petals
Of a rose close when the garden

Stiffens and odors bleed
From the sweet, deep throats of the night flower.

The moon has nothing to be sad about,
Staring from her hood of bone.

She is used to this sort of thing.
Her blacks crackle and drag.

The Bells - Edgar Allan Poe
 

I.

Hear the sledges with the bells--
Silver bells!
What a world of merriment their melody foretells!
How they tinkle, tinkle, tinkle,
In the icy air of night!
While the stars that oversprinkle
All the heavens, seem to twinkle
With a crystalline delight;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
From the bells, bells, bells, bells,
Bells, bells, bells--
From the jingling and the tinkling of the bells.

II.

Hear the mellow wedding bells
Golden bells!
What a world of happiness their harmony foretells!
Through the balmy air of night
How they ring out their delight!
From the molten-golden notes,
And all in tune,
What a liquid ditty floats
To the turtle-dove that listens, while she gloats
On the moon!
Oh, from out the sounding cells,
What a gush of euphony voluminously wells!
How it swells!
How it dwells
On the Future! how it tells
Of the rapture that impels
To the swinging and the ringing
Of the bells, bells, bells,
Of the bells, bells, bells, bells,
Bells, bells, bells--
To the rhyming and the chiming of the bells!

III.

Hear the loud alarum bells--
Brazen bells!
What tale of terror, now, their turbulency tells!
In the startled ear of night
How they scream out their affright!
Too much horrified to speak,
They can only shriek, shriek,
Out of tune,
In a clamorous appealing to the mercy of the fire,
In a mad expostulation with the deaf and frantic fire,
Leaping higher, higher, higher,
With a desperate desire,
And a resolute endeavor
Now--now to sit or never,
By the side of the pale-faced moon.
Oh, the bells, bells, bells!
What a tale their terror tells
Of Despair!
How they clang, and clash, and roar!
What a horror they outpour
On the bosom of the palpitating air!
Yet the ear, it fully knows,
By the twanging,
And the clanging,
How the danger ebbs and flows ;
Yet, the ear distinctly tells,
In the jangling,
And the wrangling,
How the danger sinks and swells,
By the sinking or the swelling in the anger of the bells--
Of the bells--
Of the bells, bells, bells, bells,
Bells, bells, bells--
In the clamour and the clangour of the bells!

IV.

Hear the tolling of the bells--
Iron bells!
What a world of solemn thought their monody compels!
In the silence of the night,
How we shiver with affright
At the melancholy meaning of their tone!
For every sound that floats
From the rust within their throats
Is a groan.
And the people--ah, the people--
They that dwell up in the steeple,
All alone,
And who, tolling, tolling, tolling,
In that muffled monotone,
Feel a glory in so rolling
On the human heart a stone--
They are neither man nor woman--
They are neither brute nor human--
They are Ghouls:--
And their king it is who tolls ;
And he rolls, rolls, rolls, rolls,
Rolls
A pæan from the bells!
And his merry bosom swells
With the pæan of the bells!
And he dances, and he yells ;
Keeping time, time, time,
In a sort of Runic rhyme,
To the pæan of the bells--
Of the bells :
Keeping time, time, time,
In a sort of Runic rhyme,
To the throbbing of the bells--
Of the bells, bells, bells--
To the sobbing of the bells ;
Keeping time, time, time,
As he knells, knells, knells,
In a happy Runic rhyme,
To the rolling of the bells--
Of the bells, bells, bells--
To the tolling of the bells,
Of the bells, bells, bells, bells--
Bells, bells, bells--
To the moaning and the groaning of the bells.

I have read that poem before. Apparently their is a hidden meaning or something of that sort between anyone, noone, everyone etc. I think those words actually represent real people, but I forget.

The Wife's Lament
(translated from the Anglo-Saxon by Brian Kim Stefans)


I will speak my plight’s tale, care-

wretched, about myself. I can say: what

woes I’ve borne growing up, present

and past, were all less than now. I have

won, for my exile-paths, just pain.

First, my lord left: over deep seas, far

from people, and I’ve grieved each

morning, where, earth-wide, he could

be. Then I left: voyaging sought service

– sad exile – for my woeful desires!

My lord’s kin schemed secretly: that

they’d estrange us, keep us most apart,

across the earth-kingdom, and my heart

suffered. My lord bade me: take

dwelling here. I had few friends in

this land, no devoted comrades – so I

feel as if lost! I had found a man full fit

to me, though unfortunate, spiritually

fraught – a feigning mind, blissvisaged,

but planning a crime! Full

oft we vowed we’d never part, not till

death alone, nothing else; but that is

changed, our friendship – is now, as if

it never were. I must hear, far and near,

contempt for my loved. My man

bade me live by the grove’s wood,

beneath the oak tree, in an earth-cave.

This cave is old – I am all oppressed –

the valleys dim, mountains steep – a

bitter home! tangled with vines –

an arid dwelling! The cruelty hits often

– my lord’s absence! On earth there are

lovers, living in love, they share the

same bed, meanwhile... I go alone each

dawn, by the oak and earth-cave,

where I sit, summerlong days. There, I

might weep my exile-paths, its many

woes, because an anxious mind won’t

rest, nor this sorrow, which wrests from

me this life. A young man must be

stern, hard-of-heart, stand blissful,

opposing breast-cares and his sorrows’

legions. All world-joy should wake

from himself, for wide and far, in

foreign folk-lands, my friend sits

under a hard slope, frosted by storms,

silenced for a friend, water bordering

his sad-hall! My friend suffers sorrow;

he know too oft his home was joyful.

Woe to those who live longing all

for a loved one.